Abstract
This writer sets out to elucidate the delights of the
Hypnerotomachia Poliphili by an analysis of different
editions and translations throughout the
centuries. The article also explores images inspired
by this book in gardens of the Italian Renaissance,
such as the Sacro Bosco at Bomarzo. Finally, readings
of some texts of fundamental importance for
understanding hermetic philosophy help to reveal
the book’s undeniable beauty.
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