Abstract
Eisenstein’s sentimentally romantic temperament led him to
idealize his relationship with Orozco. Documents previously unknown to
researchers shed light on the birth of the friendship between the two
artists, born of a mutual admiration for each other’s work. The
article traces the course of the acquaintance from an idealized failure to
meet to the only encounter that actually took place between them, in the
city of New York, and on to Eisenstein’s return to Moscow, his
film about Mexico unfinished.
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